![]() ![]() ![]() The slats are waxed and kiln dried again. These are kiln dried and then tinted… People prefer that I look pretty, not a pallid white. The cedar logs are cut into small, pencil-length slats less than one-fourth of an inch in thickness. Can you imagine the individuals who make flat cars and rails and railroad engines and who construct and install the communication systems incidental thereto?” “The logs are shipped to a mill in San Leandro, California. Think of all the persons and the numberless skills that went into their fabrication: the mining of ore, the making of steel and its refinement into saws, axes, motors the growing of hemp and bringing it through all the stages to heavy and strong rope the logging camps with their beds and mess halls, the cookery and the raising of all the foods.” Now contemplate all the saws and trucks and rope and the countless other gear used in harvesting and carting the cedar logs to the railroad siding. “My family tree begins with what in fact is a tree, a cedar of straight grain that grows in Northern California and Oregon. “I am a lead pencil-the ordinary wooden pencil familiar to all boys and girls and adults who can read and write… Yet, not a single person on the face of this earth knows how to make me.” While trade barriers are not expressly discussed in the story, the reader can infer potential consequences rippling through the supply chain. It was first published in 1958 to explain how free-market economies work and to discredit centrally-planned economies, such as the Soviet Union. Weight in general is also important: A stylus that’s too heavy cramps your hand over time, and one that’s too light suffers from the same problems as a slicker pen nib-you don’t have the same control over your lines.This is the story of how a simple pencil is manufactured using numerous raw materials from all over the world, as told in the first person by the pencil itself. ![]() This is especially true for styluses that don’t support palm rejection, which means you have to keep your hand upright over the pen. Balance and weight: A stylus’s weight should be distributed evenly along its body-a stylus with most of its weight at the nib and little at the other end (or vice versa) is uncomfortable to hold and difficult to control.If it’s too sticky, you might make erroneous marks or get sore hands from gripping the stylus more tightly to drag it across the screen. If the nib is too slick, you don’t have the line control that you might get with a pen on a piece of paper. Resistance: A good stylus offers the right amount of friction between the nib (drawing end) of the stylus and the iPad’s screen.However, if a stylus cramped a tester’s hand or dug into skin, we dropped that model from consideration, and if we found it impossible to grip a stylus without dragging a hand on the screen or contorting our fingers, we eliminated that contender. Comfort: Recommending a single stylus design and grip for everyone is difficult some people prefer a thicker body, for example, while others want rubberized grips or angled grip surfaces.Advanced features: More advanced stylus models include features such as palm rejection, tilt support, and pressure sensitivity, which make for a better drawing and writing experience.While you’re drawing, the stylus should ink over the same line precisely and repeatedly, and the line on the screen should closely stick to the stylus’s tip without noticeable lag. Precision: A stylus should write consistently, without overlapping letters or inconsistent vertical spacing. ![]()
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